Access Statistics for Gerben Bakker
Author contact details at EconPapers.
| Working Paper |
File Downloads |
Abstract Views |
| Last month |
3 months |
12 months |
Total |
Last month |
3 months |
12 months |
Total |
| A Vision of the Growth Process in a Technologically Progressive Economy: the United States, 1899-1941 |
0 |
0 |
0 |
5 |
0 |
0 |
7 |
39 |
| A Vision of the Growth Process in a Technologically Progressive Economy: the United States, 1899-1941 |
0 |
0 |
0 |
46 |
0 |
0 |
2 |
67 |
| A Vision of the Growth Process in a Technologically Progressive Economy:the United States, 1899-1941 |
0 |
0 |
0 |
82 |
0 |
0 |
1 |
75 |
| A Vision of the Growth Process in a Technologically Progressive Economy:the United States, 1899-1941 |
0 |
0 |
0 |
76 |
0 |
1 |
9 |
105 |
| A vision of the growth process in a technologically progressive economy: the United States, 1899-1941 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
| Adopting the rights-based model: music multinationals and local music industries since 1945 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| At the origins of increased productivity growth in services. Productivity, social savings and the consumer surplus of the film industry, 1900-1938 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| How they made news pay: news traders’ quest for crisis-resistant business models |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Infrastructure killed the electric car |
0 |
0 |
0 |
63 |
0 |
1 |
5 |
34 |
| Money for nothing: how firms have financed R&D-projects since the Industrial Revolution |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Money for nothing: how firms have financed R&D-projects since the industrial revolution |
0 |
0 |
0 |
6 |
0 |
0 |
2 |
46 |
| Soft power: the media industries in Britain since 1870 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Structural change and the growth contribution of services: how motion pictures industrialized US spectator entertainment |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
| Sunk costs and the dynamics of creative industries |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| The Sources of Growth in a Technologically Progressive Economy |
0 |
1 |
4 |
89 |
0 |
1 |
8 |
110 |
| The Sources of Growth in a Technologically Progressive Economy: the United States, 1899-1941 |
0 |
0 |
0 |
133 |
0 |
1 |
3 |
110 |
| The decline and fall of the European film industry: sunk costs, market size and market structure, 1890-1927 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| The evolution of entertainment consumption and the emergence of cinema, 1890-1940 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| The evolution of entertainment consumption and the emergence of cinema, 1890-1940 |
0 |
1 |
1 |
22 |
1 |
3 |
7 |
569 |
| The sources of growth in a technologically progressive economy: the United States, 1899-1941 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| The sources of growth in a technologically progressive economy: the United States, 1899‐1941 |
0 |
0 |
0 |
54 |
0 |
0 |
1 |
34 |
| Time and productivity growth in services: how motion pictures industrialized entertainment |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
| Total Working Papers |
0 |
2 |
5 |
576 |
2 |
8 |
46 |
1,194 |
15 registered items for which data could not be found
| Journal Article |
File Downloads |
Abstract Views |
| Last month |
3 months |
12 months |
Total |
Last month |
3 months |
12 months |
Total |
| Book Reviews |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
10 |
| Book Reviews |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
| Building Knowledge about the Consumer: The Emergence of Market Research in the Motion Picture Industry |
0 |
0 |
0 |
38 |
1 |
2 |
5 |
130 |
| Creative urban milieus: historical perspectives on culture, economy, and the city – Edited by Martina Heßler and Clemens Zimmermann |
0 |
0 |
7 |
46 |
0 |
1 |
14 |
104 |
| David W. Galenson. Painting Outside the Lines: Patterns of Creativity in Modern Art. Cambridge, Mass.: Harvard University Press, 2001. xvi + 251 pp. ISBN 0-674-00612-7, $29.95 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
8 |
| Entertainment Industrialized: The Emergence of the International Film Industry, 1890–1940 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
15 |
| From Betamax to Blockbuster: video stores and the invention of movies on video |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
41 |
| Global Experience Industries: The Business of the Experience Economy. By Jens Christensen. Aarhus: Aarhus University Press, 2009. 454 pp. Figures, tables, notes, index. Paper, $64.00. ISBN: 978-87-7934-432-7 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
13 |
| How Motion Pictures Industrialized Entertainment |
0 |
0 |
2 |
15 |
0 |
0 |
6 |
50 |
| Infrastructure killed the electric car |
0 |
0 |
0 |
16 |
0 |
0 |
3 |
38 |
| Money for nothing: How firms have financed R&D-projects since the Industrial Revolution |
0 |
0 |
3 |
20 |
2 |
4 |
14 |
137 |
| Networks of Entertainment: Early Film Distribution, 1895–1915. Edited by Frank Kessler and Nanna Verhoejf. Eastleigh: John Libbey, 2007. viii + 344 pp. Illustrations, notes. Paper, $27.95. ISBN: 0–861–96681–3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
| Quarter notes and bank notes: the economics of music composition in the eighteenth and nineteenth centuries |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
| Richard E. Caves. Creative Industries: Contracts between Art and Commerce. Cambridge, Mass.: Harvard University Press, 2000. ix + 454 pp. ISBN 0-674-00164-8, $45.00. - Lary May. The Big Tomorrow: Hollywood and the Politics of the American Way. Chicago: University of Chicago Press, 2000. xvi + 348 pp. ISBN 0-226-51162-6, $32.50 |
0 |
0 |
0 |
30 |
0 |
1 |
5 |
92 |
| Selling French Films on Foreign Markets: The International Strategy of a Medium-Sized Film Company |
0 |
0 |
0 |
7 |
0 |
1 |
2 |
19 |
| Stars and Stories: How Films Became Branded Products |
0 |
0 |
2 |
13 |
0 |
0 |
2 |
54 |
| The Making of a Music Multinational: PolyGram's International Businesses, 1945–1998 |
0 |
0 |
0 |
4 |
1 |
1 |
5 |
25 |
| The Sources of Growth in a Technologically Progressive Economy: The United States, 1899–1941 |
0 |
0 |
1 |
33 |
0 |
2 |
8 |
119 |
| The decline and fall of the European film industry: sunk costs, market size, and market structure, 1890–1927 |
0 |
0 |
0 |
66 |
0 |
0 |
3 |
281 |
| Total Journal Articles |
0 |
0 |
15 |
301 |
4 |
13 |
72 |
1,147 |
|
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