| Working Paper |
File Downloads |
Abstract Views |
| Last month |
3 months |
12 months |
Total |
Last month |
3 months |
12 months |
Total |
| A Leverage-Based Measure of Financial Instability |
1 |
1 |
1 |
75 |
1 |
2 |
11 |
84 |
| A Leverage-Based Measure of Financial Instability |
0 |
1 |
2 |
32 |
1 |
3 |
9 |
204 |
| A Leverage-Based Measure of Financial Stability |
1 |
1 |
45 |
45 |
4 |
7 |
51 |
51 |
| A Leverage-Based Measure of Financial Stability |
0 |
0 |
1 |
64 |
2 |
4 |
9 |
135 |
| A Leverage-Based Measure of Financial Stability |
0 |
0 |
1 |
14 |
2 |
2 |
16 |
101 |
| Accounting for Breakout in Britain: The Industrial Revolution through a Malthusian Lens |
1 |
1 |
2 |
182 |
2 |
5 |
18 |
253 |
| Accounting for breakout in Britain: The Industrial Revolution through a Malthusian lens |
0 |
0 |
4 |
182 |
4 |
8 |
53 |
482 |
| Agglomeration Economies in Classical Music |
0 |
0 |
0 |
71 |
1 |
2 |
11 |
114 |
| Agglomeration Economies in Classical Music |
0 |
0 |
1 |
41 |
3 |
5 |
28 |
420 |
| Agglomeration Economies in Classical Music |
0 |
0 |
0 |
116 |
1 |
1 |
7 |
125 |
| Agglomeration Economies in Classical Music |
1 |
2 |
7 |
250 |
11 |
39 |
201 |
2,625 |
| Are Composers Different? Historical Evidence on Conflict-induced Migration (1816-1997) |
0 |
0 |
0 |
25 |
0 |
1 |
10 |
222 |
| Are Composers Different? Historical Evidence on Conflict-induced Migration (1816-1997) |
1 |
1 |
1 |
135 |
5 |
10 |
50 |
1,551 |
| Birth Location, Migration and Clustering of Important Composers: Historical Patterns |
0 |
0 |
2 |
78 |
12 |
21 |
29 |
181 |
| Change in access after digitization: Ethnographic collections in Wikipedia |
2 |
4 |
9 |
83 |
5 |
8 |
33 |
193 |
| Changes in Cultural Consumption: Ethnographic Collections in Wikipedia |
0 |
0 |
0 |
32 |
2 |
5 |
21 |
124 |
| Conflict-induced Migration of Composers: An Individual-level Study |
0 |
0 |
1 |
76 |
2 |
3 |
10 |
364 |
| Cultural Participation and Tourism Flows in Italy |
0 |
0 |
0 |
130 |
1 |
3 |
11 |
457 |
| Cultural participation and tourism flows: An empirical investigation of Italian provinces |
1 |
2 |
8 |
363 |
5 |
25 |
98 |
1,673 |
| Dance Participation and Attendance in Denmark |
0 |
0 |
1 |
23 |
0 |
1 |
3 |
95 |
| Dance Participation and Attendance in Denmark |
0 |
1 |
1 |
37 |
0 |
3 |
7 |
132 |
| Delegation and Motivation |
0 |
0 |
1 |
890 |
3 |
5 |
29 |
6,890 |
| Digitization of Heritage Collections as Indicator of Innovation |
0 |
0 |
0 |
37 |
0 |
1 |
8 |
64 |
| Digitization of heritage collections as indicator of innovation |
1 |
2 |
3 |
67 |
3 |
8 |
19 |
199 |
| Digitization of heritage collections as indicator of innovation |
0 |
0 |
2 |
78 |
2 |
4 |
13 |
126 |
| Does Competition Kill? The Case of Classical Composers |
0 |
0 |
1 |
119 |
2 |
6 |
15 |
469 |
| Dynamics of a Protected Housing Market: The Case of Switzerland |
0 |
0 |
1 |
115 |
1 |
5 |
9 |
322 |
| Fiscal and Economic Aspects of Book Consumption in the European Union |
1 |
2 |
4 |
38 |
4 |
6 |
36 |
372 |
| Fiscal and Economic Aspects of Book Consumption in the European Union |
0 |
0 |
0 |
31 |
2 |
3 |
5 |
59 |
| Geographic Clustering and Productivity: An Instrumental Variable Approach for Classical Composers |
0 |
0 |
0 |
12 |
0 |
0 |
4 |
92 |
| Geographic Clustering and Productivity: An Instrumental Variable Approach for Classical Composers |
4 |
4 |
6 |
217 |
24 |
26 |
59 |
786 |
| Good Reverberation? Teacher Influence in Music Composition since 1450 |
24 |
34 |
70 |
70 |
51 |
82 |
219 |
219 |
| Good Reverberation? Teacher Influence in Music Composition since 1450 |
2 |
6 |
11 |
11 |
2 |
8 |
21 |
21 |
| Historical Patterns Based on Automatically Extracted Data: the Case of Classical Composers |
1 |
2 |
5 |
212 |
8 |
22 |
91 |
1,738 |
| Historical origins of cultural supply in Italy |
2 |
3 |
3 |
80 |
5 |
8 |
25 |
207 |
| History Matters: The Origins of Cultural Supply in Italy |
0 |
0 |
0 |
127 |
1 |
4 |
11 |
272 |
| History matters: The origins of cultural supply in Italy |
1 |
1 |
1 |
73 |
1 |
1 |
8 |
187 |
| How Are You, My Dearest Mozart? Well-being and Creativity of Three Famous Composers Based on their Letters |
6 |
7 |
25 |
466 |
27 |
46 |
131 |
1,569 |
| How Are You, My Dearest Mozart? Well-being and Creativity of Three Famous Composers Based on their Letters |
0 |
1 |
2 |
138 |
4 |
8 |
32 |
410 |
| Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
2 |
10 |
1 |
3 |
15 |
62 |
| Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
2 |
31 |
2 |
4 |
11 |
76 |
| Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
0 |
49 |
0 |
0 |
6 |
43 |
| Immigrant Artists: Enrichment or Displacement? |
2 |
5 |
10 |
50 |
14 |
19 |
37 |
115 |
| Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
0 |
53 |
0 |
1 |
9 |
58 |
| Immigration and the demand for life insurance: Evidence from Canada, 1911 |
1 |
1 |
1 |
95 |
3 |
9 |
16 |
612 |
| In fatal pursuit of immortal fame: Peer competition and early mortality of music composers |
1 |
1 |
2 |
67 |
3 |
6 |
25 |
527 |
| May I have this dance? Dance participation and attendance in Denmark |
1 |
1 |
4 |
39 |
3 |
6 |
20 |
181 |
| Originality, influence, and success: A model of creative style |
0 |
2 |
22 |
22 |
0 |
3 |
16 |
16 |
| The Cultural Value and Variety of Playing Video Games |
0 |
2 |
4 |
38 |
2 |
10 |
30 |
186 |
| The Drivers of Long-run CO2 Emissions: A Global Perspective since 1800 |
0 |
0 |
0 |
77 |
1 |
2 |
15 |
75 |
| The Drivers of Long-run CO2 Emissions: A Global Perspective since 1800 |
0 |
2 |
12 |
179 |
5 |
11 |
59 |
750 |
| The Drivers of Long-run CO2 Emissions: A Global Perspective since 1800 |
0 |
0 |
0 |
107 |
0 |
1 |
19 |
105 |
| The Origins of Creativity: The Case of the Arts in the United States since 1850 |
0 |
0 |
0 |
104 |
0 |
2 |
14 |
148 |
| The Origins of Creativity: The Case of the Arts in the United States since 1850 |
0 |
2 |
9 |
87 |
0 |
3 |
26 |
112 |
| The Origins of Creativity: The Case of the Arts in the United States since 1850 |
0 |
0 |
1 |
59 |
0 |
3 |
13 |
47 |
| The Origins of Creativity: The Case of the Arts in the United States since 1850 |
3 |
16 |
75 |
229 |
39 |
110 |
565 |
1,308 |
| Video Games Playing: A substitute for cultural consumptions? |
2 |
2 |
4 |
208 |
9 |
11 |
30 |
959 |
| Video Games Playing: A substitute for cultural consumptions? |
1 |
2 |
4 |
122 |
4 |
8 |
26 |
533 |
| Video Games is Cultural Participation: Understanding Games Playing In England Using The Taking Part Survey |
0 |
0 |
0 |
30 |
0 |
1 |
10 |
61 |
| Video games as cultural participation: understanding games playing in England using the Taking Part survey |
2 |
3 |
5 |
50 |
4 |
6 |
25 |
114 |
| War and Creativity: Solving the War-Art Puzzle for Classical Music Composition |
1 |
1 |
3 |
135 |
2 |
4 |
21 |
627 |
| War and Individual Creativity: Tentative Evidence in Relation to Composers |
0 |
1 |
3 |
83 |
5 |
11 |
62 |
1,496 |
| What makes an artist? The evolution and clustering of creative activity in the US since 1850 |
1 |
3 |
69 |
69 |
8 |
15 |
88 |
88 |
| Total Working Papers |
65 |
120 |
454 |
6,828 |
309 |
650 |
2,579 |
31,887 |
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