Working Paper |
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Abstract Views |
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12 months |
Total |
Last month |
3 months |
12 months |
Total |
A Leverage-Based Measure of Financial Instability |
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0 |
0 |
75 |
1 |
1 |
1 |
88 |
A Leverage-Based Measure of Financial Instability |
0 |
0 |
0 |
33 |
0 |
2 |
4 |
215 |
A Leverage-Based Measure of Financial Stability |
0 |
0 |
0 |
46 |
0 |
0 |
3 |
78 |
A Leverage-Based Measure of Financial Stability |
0 |
0 |
0 |
65 |
0 |
1 |
1 |
143 |
A Leverage-Based Measure of Financial Stability |
0 |
0 |
0 |
15 |
1 |
1 |
4 |
116 |
Accounting for Breakout in Britain: The Industrial Revolution through a Malthusian Lens |
0 |
0 |
0 |
184 |
0 |
0 |
3 |
261 |
Accounting for breakout in Britain: The Industrial Revolution through a Malthusian lens |
0 |
0 |
3 |
188 |
0 |
0 |
13 |
535 |
Agglomeration Economies in Classical Music |
0 |
0 |
0 |
72 |
0 |
0 |
1 |
119 |
Agglomeration Economies in Classical Music |
0 |
0 |
0 |
43 |
0 |
1 |
3 |
439 |
Agglomeration Economies in Classical Music |
0 |
0 |
0 |
117 |
0 |
1 |
12 |
148 |
Agglomeration Economies in Classical Music |
0 |
1 |
4 |
260 |
5 |
11 |
28 |
2,761 |
Are Composers Different? Historical Evidence on Conflict-induced Migration (1816-1997) |
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0 |
0 |
25 |
0 |
0 |
1 |
224 |
Are Composers Different? Historical Evidence on Conflict-induced Migration (1816-1997) |
0 |
0 |
0 |
140 |
2 |
3 |
8 |
1,599 |
Birth Location, Migration and Clustering of Important Composers: Historical Patterns |
0 |
0 |
1 |
80 |
1 |
1 |
3 |
207 |
Change in access after digitization: Ethnographic collections in Wikipedia |
0 |
0 |
2 |
93 |
1 |
1 |
7 |
231 |
Changes in Cultural Consumption: Ethnographic Collections in Wikipedia |
0 |
1 |
2 |
38 |
2 |
4 |
10 |
166 |
Competing for Equality: Gender Bias Among Juries in International Piano Competitions, 1890-2023 |
0 |
2 |
34 |
34 |
1 |
9 |
97 |
97 |
Conflict-induced Migration of Composers: An Individual-level Study |
0 |
0 |
0 |
79 |
0 |
1 |
6 |
381 |
Cultural Participation and Tourism Flows in Italy |
0 |
0 |
0 |
131 |
0 |
1 |
1 |
464 |
Cultural participation and tourism flows: An empirical investigation of Italian provinces |
0 |
1 |
3 |
390 |
1 |
12 |
57 |
1,872 |
Dance Participation and Attendance in Denmark |
0 |
0 |
0 |
37 |
0 |
0 |
3 |
137 |
Dance Participation and Attendance in Denmark |
0 |
0 |
2 |
26 |
0 |
0 |
4 |
101 |
Delegation and Motivation |
0 |
0 |
2 |
893 |
2 |
3 |
9 |
6,915 |
Digitization of Heritage Collections as Indicator of Innovation |
0 |
0 |
2 |
39 |
2 |
2 |
6 |
74 |
Digitization of heritage collections as indicator of innovation |
0 |
0 |
1 |
71 |
0 |
1 |
6 |
223 |
Digitization of heritage collections as indicator of innovation |
0 |
0 |
0 |
83 |
0 |
2 |
4 |
144 |
Do Experts and Laypersons Differ? Some Evidence from International Classical Music Competitions |
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0 |
0 |
0 |
2 |
2 |
7 |
13 |
Does Competition Kill? The Case of Classical Composers |
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0 |
1 |
123 |
0 |
0 |
2 |
493 |
Dynamics of a Protected Housing Market: The Case of Switzerland |
0 |
0 |
1 |
117 |
1 |
2 |
5 |
340 |
Fiscal and Economic Aspects of Book Consumption in the European Union |
0 |
0 |
2 |
34 |
0 |
0 |
3 |
65 |
Fiscal and Economic Aspects of Book Consumption in the European Union |
0 |
0 |
2 |
42 |
1 |
2 |
13 |
402 |
Geographic Clustering and Productivity: An Instrumental Variable Approach for Classical Composers |
0 |
0 |
1 |
225 |
4 |
5 |
8 |
815 |
Geographic Clustering and Productivity: An Instrumental Variable Approach for Classical Composers |
0 |
0 |
1 |
13 |
0 |
0 |
1 |
96 |
Good Reverberation? Teacher Influence in Music Composition since 1450 |
0 |
0 |
0 |
82 |
2 |
3 |
6 |
272 |
Good Reverberation? Teacher Influence in Music Composition since 1450 |
0 |
0 |
0 |
22 |
0 |
1 |
7 |
61 |
Harmonious Relations: Quality transmission among composers in the very long run |
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0 |
0 |
1 |
2 |
2 |
2 |
7 |
Harmonious Relations: Quality transmission among composers in the very long run |
0 |
0 |
0 |
9 |
0 |
0 |
0 |
8 |
Harmonious Relations: Quality transmission among composers in the very long run |
0 |
0 |
1 |
35 |
0 |
1 |
12 |
43 |
Harmonious Relations: Quality transmission among composers in the very long run |
0 |
0 |
0 |
12 |
0 |
0 |
0 |
15 |
Historical Patterns Based on Automatically Extracted Data: the Case of Classical Composers |
0 |
0 |
3 |
225 |
3 |
9 |
31 |
1,835 |
Historical origins of cultural supply in Italy |
0 |
0 |
0 |
81 |
0 |
0 |
3 |
224 |
History Matters: The Origins of Cultural Supply in Italy |
0 |
0 |
0 |
130 |
0 |
1 |
10 |
288 |
History matters: The origins of cultural supply in Italy |
0 |
0 |
0 |
73 |
0 |
0 |
0 |
191 |
How Are You, My Dearest Mozart? Well-being and Creativity of Three Famous Composers Based on their Letters |
0 |
0 |
3 |
502 |
1 |
2 |
23 |
1,762 |
How Are You, My Dearest Mozart? Well-being and Creativity of Three Famous Composers Based on their Letters |
0 |
0 |
2 |
142 |
2 |
4 |
11 |
453 |
Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
0 |
59 |
2 |
2 |
9 |
175 |
Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
0 |
11 |
1 |
1 |
5 |
80 |
Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
1 |
51 |
0 |
0 |
1 |
48 |
Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
0 |
54 |
2 |
3 |
4 |
86 |
Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
2 |
34 |
0 |
0 |
7 |
89 |
Immigration and the demand for life insurance: Evidence from Canada, 1911 |
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0 |
0 |
97 |
0 |
4 |
9 |
635 |
In fatal pursuit of immortal fame: Peer competition and early mortality of music composers |
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0 |
1 |
72 |
1 |
1 |
7 |
553 |
May I have this dance? Dance participation and attendance in Denmark |
0 |
0 |
0 |
41 |
1 |
2 |
5 |
207 |
Originality, influence, and success: A model of creative style |
0 |
0 |
5 |
41 |
1 |
1 |
19 |
83 |
The Cultural Value and Variety of Playing Video Games |
0 |
0 |
5 |
46 |
1 |
2 |
8 |
212 |
The Drivers of Long-run CO2 Emissions: A Global Perspective since 1800 |
0 |
0 |
0 |
182 |
0 |
1 |
3 |
775 |
The Drivers of Long-run CO2 Emissions: A Global Perspective since 1800 |
0 |
0 |
1 |
109 |
1 |
1 |
3 |
115 |
The Drivers of Long-run CO2 Emissions: A Global Perspective since 1800 |
0 |
0 |
0 |
77 |
1 |
1 |
2 |
79 |
The Great Margin Call: The Role of Leverage in the 1929 Stock Market Crash |
1 |
1 |
3 |
83 |
4 |
6 |
25 |
199 |
The Origins of Creativity: The Case of the Arts in the United States since 1850 |
7 |
17 |
51 |
435 |
18 |
42 |
215 |
2,289 |
The Origins of Creativity: The Case of the Arts in the United States since 1850 |
1 |
3 |
4 |
65 |
2 |
4 |
6 |
63 |
The Origins of Creativity: The Case of the Arts in the United States since 1850 |
0 |
2 |
6 |
101 |
0 |
2 |
18 |
161 |
The Origins of Creativity: The Case of the Arts in the United States since 1850 |
0 |
0 |
0 |
110 |
0 |
1 |
6 |
169 |
Using big data to measure cultural tourism in Europe with unprecedented precision |
2 |
2 |
9 |
29 |
3 |
3 |
13 |
33 |
Video Games Playing: A substitute for cultural consumptions? |
0 |
0 |
1 |
127 |
1 |
1 |
4 |
554 |
Video Games Playing: A substitute for cultural consumptions? |
0 |
0 |
4 |
219 |
0 |
2 |
10 |
1,036 |
Video Games is Cultural Participation: Understanding Games Playing In England Using The Taking Part Survey |
0 |
0 |
4 |
34 |
0 |
0 |
7 |
69 |
Video games as cultural participation: understanding games playing in England using the Taking Part survey |
0 |
0 |
1 |
53 |
0 |
0 |
6 |
141 |
War and Creativity: Solving the War-Art Puzzle for Classical Music Composition |
0 |
0 |
0 |
139 |
2 |
3 |
6 |
662 |
War and Individual Creativity: Tentative Evidence in Relation to Composers |
0 |
0 |
0 |
87 |
4 |
6 |
20 |
1,565 |
What makes an artist? The evolution and clustering of creative activity in the US since 1850 |
0 |
0 |
1 |
84 |
0 |
0 |
13 |
154 |
Where are the Female Composers? Evidence on the Extent and Causes of Gender Inequality in Music History |
0 |
0 |
41 |
41 |
1 |
1 |
69 |
69 |
Where are the Female Composers? Evidence on the Extent and Causes of Gender Inequality in Music History |
1 |
1 |
24 |
24 |
1 |
5 |
86 |
86 |
Total Working Papers |
12 |
31 |
237 |
7,630 |
84 |
187 |
1,025 |
35,508 |