| Working Paper |
File Downloads |
Abstract Views |
| Last month |
3 months |
12 months |
Total |
Last month |
3 months |
12 months |
Total |
| A Leverage-Based Measure of Financial Instability |
0 |
0 |
0 |
75 |
0 |
2 |
3 |
90 |
| A Leverage-Based Measure of Financial Instability |
0 |
0 |
1 |
34 |
0 |
1 |
6 |
218 |
| A Leverage-Based Measure of Financial Stability |
0 |
0 |
0 |
15 |
1 |
1 |
3 |
117 |
| A Leverage-Based Measure of Financial Stability |
0 |
0 |
0 |
65 |
0 |
0 |
1 |
143 |
| A Leverage-Based Measure of Financial Stability |
0 |
0 |
0 |
46 |
0 |
0 |
1 |
79 |
| Accounting for Breakout in Britain: The Industrial Revolution through a Malthusian Lens |
0 |
0 |
0 |
184 |
0 |
1 |
2 |
262 |
| Accounting for breakout in Britain: The Industrial Revolution through a Malthusian lens |
0 |
0 |
0 |
188 |
2 |
4 |
10 |
544 |
| Agglomeration Economies in Classical Music |
0 |
0 |
1 |
260 |
1 |
6 |
27 |
2,774 |
| Agglomeration Economies in Classical Music |
0 |
0 |
0 |
72 |
0 |
1 |
2 |
121 |
| Agglomeration Economies in Classical Music |
0 |
0 |
0 |
43 |
0 |
0 |
3 |
440 |
| Agglomeration Economies in Classical Music |
0 |
0 |
0 |
117 |
0 |
0 |
4 |
149 |
| Are Composers Different? Historical Evidence on Conflict-induced Migration (1816-1997) |
0 |
1 |
2 |
27 |
1 |
4 |
5 |
229 |
| Are Composers Different? Historical Evidence on Conflict-induced Migration (1816-1997) |
0 |
1 |
2 |
142 |
0 |
3 |
16 |
1,610 |
| Birth Location, Migration and Clustering of Important Composers: Historical Patterns |
0 |
0 |
2 |
81 |
1 |
3 |
8 |
213 |
| Change in access after digitization: Ethnographic collections in Wikipedia |
0 |
1 |
1 |
94 |
0 |
3 |
4 |
234 |
| Changes in Cultural Consumption: Ethnographic Collections in Wikipedia |
0 |
0 |
1 |
38 |
2 |
4 |
14 |
174 |
| Competing for Equality: Gender Bias Among Juries in International Piano Competitions, 1890-2023 |
0 |
1 |
11 |
37 |
1 |
5 |
39 |
112 |
| Conflict-induced Migration of Composers: An Individual-level Study |
0 |
0 |
0 |
79 |
1 |
2 |
4 |
383 |
| Cultural Participation and Tourism Flows in Italy |
1 |
1 |
1 |
132 |
2 |
3 |
5 |
468 |
| Cultural participation and tourism flows: An empirical investigation of Italian provinces |
0 |
0 |
5 |
394 |
1 |
1 |
50 |
1,896 |
| Dance Participation and Attendance in Denmark |
0 |
0 |
0 |
37 |
0 |
2 |
2 |
139 |
| Dance Participation and Attendance in Denmark |
0 |
0 |
0 |
26 |
0 |
1 |
2 |
103 |
| Delegation and Motivation |
0 |
0 |
0 |
893 |
1 |
1 |
9 |
6,919 |
| Digitization of Heritage Collections as Indicator of Innovation |
0 |
0 |
0 |
39 |
0 |
1 |
6 |
77 |
| Digitization of heritage collections as indicator of innovation |
0 |
0 |
0 |
83 |
0 |
1 |
5 |
146 |
| Digitization of heritage collections as indicator of innovation |
0 |
0 |
0 |
71 |
0 |
2 |
6 |
227 |
| Do Experts and Laypersons Differ? Some Evidence from International Classical Music Competitions |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
15 |
| Does Competition Kill? The Case of Classical Composers |
0 |
0 |
1 |
123 |
0 |
1 |
2 |
494 |
| Dynamics of a Protected Housing Market: The Case of Switzerland |
0 |
0 |
0 |
117 |
0 |
1 |
5 |
341 |
| Fiscal and Economic Aspects of Book Consumption in the European Union |
0 |
0 |
0 |
42 |
0 |
0 |
4 |
403 |
| Fiscal and Economic Aspects of Book Consumption in the European Union |
0 |
0 |
0 |
34 |
0 |
1 |
3 |
67 |
| Geographic Clustering and Productivity: An Instrumental Variable Approach for Classical Composers |
0 |
0 |
0 |
13 |
0 |
2 |
4 |
100 |
| Geographic Clustering and Productivity: An Instrumental Variable Approach for Classical Composers |
0 |
0 |
1 |
225 |
1 |
2 |
9 |
818 |
| Good Reverberation? Teacher Influence in Music Composition since 1450 |
0 |
0 |
0 |
22 |
0 |
1 |
3 |
63 |
| Good Reverberation? Teacher Influence in Music Composition since 1450 |
0 |
0 |
0 |
82 |
0 |
0 |
6 |
273 |
| Harmonious Relations: Quality transmission among composers in the very long run |
0 |
0 |
0 |
9 |
0 |
0 |
0 |
8 |
| Harmonious Relations: Quality transmission among composers in the very long run |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
8 |
| Harmonious Relations: Quality transmission among composers in the very long run |
1 |
1 |
1 |
36 |
1 |
1 |
5 |
44 |
| Harmonious Relations: Quality transmission among composers in the very long run |
0 |
0 |
0 |
12 |
0 |
1 |
1 |
16 |
| Historical Patterns Based on Automatically Extracted Data: the Case of Classical Composers |
0 |
0 |
0 |
225 |
0 |
1 |
23 |
1,842 |
| Historical origins of cultural supply in Italy |
0 |
0 |
0 |
81 |
0 |
0 |
1 |
224 |
| History Matters: The Origins of Cultural Supply in Italy |
0 |
0 |
0 |
130 |
0 |
0 |
8 |
290 |
| History matters: The origins of cultural supply in Italy |
0 |
0 |
0 |
73 |
0 |
1 |
2 |
193 |
| How Are You, My Dearest Mozart? Well-being and Creativity of Three Famous Composers Based on their Letters |
1 |
1 |
1 |
503 |
1 |
3 |
12 |
1,767 |
| How Are You, My Dearest Mozart? Well-being and Creativity of Three Famous Composers Based on their Letters |
0 |
0 |
2 |
143 |
0 |
0 |
9 |
456 |
| Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
0 |
59 |
0 |
1 |
7 |
177 |
| Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
0 |
54 |
1 |
1 |
4 |
87 |
| Immigrant Artists: Enrichment or Displacement? |
0 |
1 |
2 |
36 |
0 |
2 |
7 |
96 |
| Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
1 |
51 |
0 |
1 |
4 |
51 |
| Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
0 |
11 |
0 |
3 |
7 |
85 |
| Immigration and the demand for life insurance: Evidence from Canada, 1911 |
0 |
0 |
2 |
99 |
0 |
2 |
9 |
639 |
| In fatal pursuit of immortal fame: Peer competition and early mortality of music composers |
0 |
0 |
1 |
72 |
0 |
0 |
4 |
554 |
| May I have this dance? Dance participation and attendance in Denmark |
0 |
0 |
0 |
41 |
0 |
0 |
5 |
210 |
| Originality, influence, and success: A model of creative style |
0 |
0 |
0 |
41 |
0 |
2 |
3 |
85 |
| The Cultural Value and Variety of Playing Video Games |
0 |
0 |
1 |
47 |
1 |
1 |
6 |
216 |
| The Drivers of Long-run CO2 Emissions: A Global Perspective since 1800 |
0 |
1 |
1 |
183 |
0 |
1 |
2 |
776 |
| The Drivers of Long-run CO2 Emissions: A Global Perspective since 1800 |
0 |
0 |
0 |
109 |
0 |
1 |
3 |
117 |
| The Drivers of Long-run CO2 Emissions: A Global Perspective since 1800 |
0 |
0 |
0 |
77 |
0 |
0 |
3 |
80 |
| The Great Margin Call: The Role of Leverage in the 1929 Stock Market Crash |
0 |
1 |
5 |
87 |
0 |
6 |
21 |
210 |
| The Origins of Creativity: The Case of the Arts in the United States since 1850 |
0 |
0 |
0 |
110 |
2 |
3 |
7 |
173 |
| The Origins of Creativity: The Case of the Arts in the United States since 1850 |
0 |
0 |
4 |
65 |
0 |
2 |
9 |
67 |
| The Origins of Creativity: The Case of the Arts in the United States since 1850 |
3 |
7 |
45 |
455 |
20 |
42 |
201 |
2,402 |
| The Origins of Creativity: The Case of the Arts in the United States since 1850 |
0 |
0 |
5 |
103 |
1 |
1 |
11 |
166 |
| Using big data to measure cultural tourism in Europe with unprecedented precision |
1 |
1 |
5 |
31 |
1 |
4 |
11 |
39 |
| Video Games Playing: A substitute for cultural consumptions? |
0 |
0 |
0 |
127 |
0 |
1 |
5 |
558 |
| Video Games Playing: A substitute for cultural consumptions? |
0 |
0 |
1 |
219 |
1 |
3 |
11 |
1,043 |
| Video Games is Cultural Participation: Understanding Games Playing In England Using The Taking Part Survey |
0 |
0 |
0 |
34 |
0 |
0 |
3 |
71 |
| Video games as cultural participation: understanding games playing in England using the Taking Part survey |
0 |
0 |
0 |
53 |
0 |
0 |
4 |
144 |
| War and Creativity: Solving the War-Art Puzzle for Classical Music Composition |
0 |
1 |
1 |
140 |
0 |
2 |
7 |
666 |
| War and Individual Creativity: Tentative Evidence in Relation to Composers |
0 |
0 |
1 |
88 |
0 |
1 |
19 |
1,573 |
| What makes an artist? The evolution and clustering of creative activity in the US since 1850 |
0 |
0 |
1 |
85 |
0 |
0 |
7 |
156 |
| What’s in a Name? Dynasties, Selection, and Talent Allocation Among Classical Composers |
0 |
22 |
22 |
22 |
2 |
42 |
42 |
42 |
| Where are the Female Composers? Evidence on the Extent and Causes of Gender Inequality in Music History |
0 |
0 |
2 |
41 |
0 |
0 |
10 |
71 |
| Where are the Female Composers? Evidence on the Extent and Causes of Gender Inequality in Music History |
1 |
1 |
6 |
28 |
3 |
5 |
29 |
105 |
| Total Working Papers |
8 |
42 |
139 |
7,711 |
50 |
195 |
803 |
35,948 |
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