| Working Paper |
File Downloads |
Abstract Views |
| Last month |
3 months |
12 months |
Total |
Last month |
3 months |
12 months |
Total |
| A Leverage-Based Measure of Financial Instability |
0 |
0 |
1 |
34 |
4 |
17 |
24 |
239 |
| A Leverage-Based Measure of Financial Instability |
0 |
0 |
0 |
75 |
0 |
4 |
6 |
94 |
| A Leverage-Based Measure of Financial Stability |
0 |
0 |
0 |
65 |
0 |
4 |
6 |
149 |
| A Leverage-Based Measure of Financial Stability |
0 |
0 |
0 |
15 |
1 |
9 |
10 |
126 |
| A Leverage-Based Measure of Financial Stability |
0 |
0 |
0 |
46 |
2 |
6 |
10 |
88 |
| Accounting for Breakout in Britain: The Industrial Revolution through a Malthusian Lens |
0 |
0 |
0 |
184 |
0 |
10 |
11 |
272 |
| Accounting for breakout in Britain: The Industrial Revolution through a Malthusian lens |
0 |
1 |
1 |
189 |
2 |
7 |
20 |
555 |
| Agglomeration Economies in Classical Music |
0 |
0 |
0 |
117 |
0 |
6 |
8 |
156 |
| Agglomeration Economies in Classical Music |
0 |
0 |
0 |
260 |
6 |
22 |
37 |
2,798 |
| Agglomeration Economies in Classical Music |
0 |
1 |
1 |
44 |
1 |
6 |
8 |
447 |
| Agglomeration Economies in Classical Music |
0 |
0 |
0 |
72 |
1 |
5 |
8 |
127 |
| Are Composers Different? Historical Evidence on Conflict-induced Migration (1816-1997) |
0 |
0 |
2 |
142 |
2 |
6 |
20 |
1,619 |
| Are Composers Different? Historical Evidence on Conflict-induced Migration (1816-1997) |
0 |
0 |
2 |
27 |
4 |
9 |
17 |
241 |
| Birth Location, Migration and Clustering of Important Composers: Historical Patterns |
0 |
0 |
1 |
81 |
2 |
10 |
17 |
224 |
| Change in access after digitization: Ethnographic collections in Wikipedia |
0 |
0 |
1 |
94 |
2 |
8 |
15 |
246 |
| Changes in Cultural Consumption: Ethnographic Collections in Wikipedia |
0 |
0 |
0 |
38 |
0 |
8 |
20 |
186 |
| Competing for Equality: Gender Bias Among Juries in International Piano Competitions, 1890-2023 |
1 |
4 |
10 |
44 |
4 |
25 |
53 |
150 |
| Conflict-induced Migration of Composers: An Individual-level Study |
0 |
0 |
0 |
79 |
0 |
5 |
10 |
391 |
| Creators as Firms: The Organization of Creative Production |
1 |
17 |
17 |
17 |
4 |
64 |
64 |
64 |
| Cultural Participation and Tourism Flows in Italy |
0 |
1 |
2 |
133 |
2 |
6 |
15 |
479 |
| Cultural participation and tourism flows: An empirical investigation of Italian provinces |
0 |
0 |
4 |
394 |
4 |
12 |
39 |
1,911 |
| Dance Participation and Attendance in Denmark |
0 |
0 |
0 |
26 |
1 |
1 |
5 |
106 |
| Dance Participation and Attendance in Denmark |
0 |
0 |
0 |
37 |
7 |
14 |
17 |
154 |
| Delegation and Motivation |
0 |
0 |
0 |
893 |
1 |
7 |
14 |
6,929 |
| Digitization of Heritage Collections as Indicator of Innovation |
0 |
0 |
0 |
39 |
6 |
15 |
19 |
93 |
| Digitization of heritage collections as indicator of innovation |
0 |
0 |
0 |
71 |
1 |
5 |
10 |
233 |
| Digitization of heritage collections as indicator of innovation |
0 |
0 |
0 |
83 |
0 |
5 |
9 |
153 |
| Do Experts and Laypersons Differ? Some Evidence from International Classical Music Competitions |
0 |
0 |
0 |
0 |
6 |
13 |
18 |
31 |
| Does Competition Kill? The Case of Classical Composers |
0 |
1 |
1 |
124 |
1 |
9 |
12 |
505 |
| Dynamics of a Protected Housing Market: The Case of Switzerland |
0 |
0 |
0 |
117 |
2 |
5 |
8 |
348 |
| Fiscal and Economic Aspects of Book Consumption in the European Union |
0 |
0 |
0 |
34 |
3 |
9 |
13 |
78 |
| Fiscal and Economic Aspects of Book Consumption in the European Union |
0 |
0 |
1 |
43 |
0 |
6 |
10 |
412 |
| Geographic Clustering and Productivity: An Instrumental Variable Approach for Classical Composers |
0 |
0 |
0 |
225 |
2 |
7 |
16 |
831 |
| Geographic Clustering and Productivity: An Instrumental Variable Approach for Classical Composers |
0 |
0 |
0 |
13 |
0 |
7 |
14 |
110 |
| Good Reverberation? Teacher Influence in Music Composition since 1450 |
0 |
0 |
0 |
22 |
1 |
11 |
15 |
76 |
| Good Reverberation? Teacher Influence in Music Composition since 1450 |
0 |
0 |
0 |
82 |
1 |
7 |
11 |
283 |
| Harmonious Relations: Quality transmission among composers in the very long run |
0 |
0 |
1 |
36 |
3 |
10 |
12 |
55 |
| Harmonious Relations: Quality transmission among composers in the very long run |
0 |
0 |
0 |
12 |
0 |
8 |
11 |
26 |
| Harmonious Relations: Quality transmission among composers in the very long run |
0 |
0 |
0 |
1 |
3 |
6 |
9 |
16 |
| Harmonious Relations: Quality transmission among composers in the very long run |
0 |
0 |
0 |
9 |
0 |
3 |
5 |
13 |
| Historical Patterns Based on Automatically Extracted Data: the Case of Classical Composers |
0 |
0 |
0 |
225 |
2 |
12 |
25 |
1,860 |
| Historical origins of cultural supply in Italy |
0 |
0 |
0 |
81 |
1 |
6 |
7 |
231 |
| History Matters: The Origins of Cultural Supply in Italy |
0 |
0 |
0 |
130 |
3 |
14 |
17 |
305 |
| History matters: The origins of cultural supply in Italy |
0 |
0 |
0 |
73 |
6 |
10 |
15 |
206 |
| How Are You, My Dearest Mozart? Well-being and Creativity of Three Famous Composers Based on their Letters |
0 |
0 |
1 |
143 |
1 |
3 |
11 |
464 |
| How Are You, My Dearest Mozart? Well-being and Creativity of Three Famous Composers Based on their Letters |
0 |
1 |
2 |
504 |
2 |
12 |
19 |
1,781 |
| Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
0 |
54 |
1 |
15 |
18 |
104 |
| Immigrant Artists: Enrichment or Displacement? |
0 |
1 |
3 |
37 |
1 |
6 |
19 |
108 |
| Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
0 |
51 |
2 |
6 |
12 |
60 |
| Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
0 |
59 |
1 |
12 |
17 |
192 |
| Immigrant Artists: Enrichment or Displacement? |
0 |
0 |
0 |
11 |
0 |
6 |
14 |
94 |
| Immigration and the demand for life insurance: Evidence from Canada, 1911 |
0 |
0 |
2 |
99 |
3 |
14 |
22 |
657 |
| In fatal pursuit of immortal fame: Peer competition and early mortality of music composers |
0 |
0 |
0 |
72 |
2 |
5 |
8 |
561 |
| May I have this dance? Dance participation and attendance in Denmark |
0 |
1 |
1 |
42 |
1 |
7 |
10 |
217 |
| Originality, influence, and success: A model of creative style |
0 |
0 |
0 |
41 |
3 |
6 |
9 |
92 |
| The Cultural Value and Variety of Playing Video Games |
0 |
1 |
3 |
49 |
0 |
4 |
10 |
222 |
| The Drivers of Long-run CO2 Emissions: A Global Perspective since 1800 |
0 |
0 |
0 |
109 |
0 |
2 |
7 |
122 |
| The Drivers of Long-run CO2 Emissions: A Global Perspective since 1800 |
0 |
0 |
0 |
77 |
0 |
8 |
9 |
88 |
| The Drivers of Long-run CO2 Emissions: A Global Perspective since 1800 |
0 |
0 |
1 |
183 |
1 |
8 |
10 |
785 |
| The Great Margin Call: The Role of Leverage in the 1929 Stock Market Crash |
2 |
3 |
7 |
90 |
12 |
62 |
83 |
282 |
| The Origins of Creativity: The Case of the Arts in the United States since 1850 |
0 |
0 |
3 |
104 |
2 |
9 |
22 |
183 |
| The Origins of Creativity: The Case of the Arts in the United States since 1850 |
1 |
1 |
1 |
66 |
1 |
6 |
13 |
76 |
| The Origins of Creativity: The Case of the Arts in the United States since 1850 |
4 |
9 |
36 |
471 |
12 |
42 |
210 |
2,499 |
| The Origins of Creativity: The Case of the Arts in the United States since 1850 |
0 |
0 |
1 |
111 |
0 |
3 |
9 |
178 |
| Using big data to measure cultural tourism in Europe with unprecedented precision |
0 |
0 |
2 |
31 |
1 |
9 |
18 |
51 |
| Video Games Playing: A substitute for cultural consumptions? |
0 |
0 |
0 |
127 |
3 |
7 |
14 |
568 |
| Video Games Playing: A substitute for cultural consumptions? |
1 |
1 |
1 |
220 |
2 |
11 |
20 |
1,056 |
| Video Games is Cultural Participation: Understanding Games Playing In England Using The Taking Part Survey |
0 |
0 |
0 |
34 |
0 |
6 |
10 |
79 |
| Video games as cultural participation: understanding games playing in England using the Taking Part survey |
0 |
0 |
0 |
53 |
2 |
3 |
9 |
150 |
| War and Creativity: Solving the War-Art Puzzle for Classical Music Composition |
0 |
0 |
1 |
140 |
1 |
32 |
38 |
700 |
| War and Individual Creativity: Tentative Evidence in Relation to Composers |
0 |
0 |
1 |
88 |
3 |
12 |
25 |
1,590 |
| What makes an artist? The evolution and clustering of creative activity in the US since 1850 |
0 |
0 |
1 |
85 |
2 |
14 |
21 |
175 |
| What’s in a Name? Dynasties, Selection, and Talent Allocation Among Classical Composers |
0 |
1 |
24 |
24 |
3 |
9 |
60 |
60 |
| Where are the Female Composers? Evidence on the Extent and Causes of Gender Inequality in Music History |
1 |
2 |
6 |
30 |
4 |
14 |
37 |
123 |
| Where are the Female Composers? Evidence on the Extent and Causes of Gender Inequality in Music History |
0 |
0 |
0 |
41 |
2 |
10 |
15 |
84 |
| Total Working Papers |
11 |
46 |
142 |
7,772 |
159 |
802 |
1,509 |
37,017 |