| Working Paper |
File Downloads |
Abstract Views |
| Last month |
3 months |
12 months |
Total |
Last month |
3 months |
12 months |
Total |
| A Conceptual World: Why the Art of the Twentieth Century is So Different From the Art of All Earlier Centuries |
0 |
0 |
0 |
65 |
0 |
1 |
4 |
224 |
| A Portrait of the Artist as a Very Young or Very Old Innovator: Creativity at the Extremes of the Life Cycle |
0 |
0 |
0 |
63 |
0 |
1 |
4 |
350 |
| A Portrait of the Artist as a Young or Old Innovator: Measuring the Careers of Modern Novelists |
0 |
0 |
0 |
66 |
0 |
0 |
2 |
404 |
| Age and the Quality of Work: The Case of Modern American Painters |
0 |
0 |
1 |
95 |
1 |
1 |
3 |
1,407 |
| Analyzing Artistic Innovation: The Greatest Breakthroughs of the Twentieth Century |
0 |
0 |
0 |
74 |
1 |
1 |
2 |
379 |
| And Now for Something Completely Different: The Versatility of Conceptual Innovators |
0 |
0 |
2 |
27 |
0 |
0 |
2 |
173 |
| Anticipating Artistic Success (or, How to Beat the Art Market): Lessons from History |
0 |
0 |
0 |
116 |
0 |
1 |
2 |
281 |
| Artists and the Market: From Leonardo and Titian to Andy Warhol and Damien Hirst |
0 |
0 |
1 |
130 |
0 |
1 |
3 |
309 |
| Careers and Canvases: The Rise of the Market for Modern Art in the Nineteenth Century |
0 |
0 |
1 |
98 |
2 |
4 |
21 |
334 |
| Co-Authoring Advanced Art |
0 |
0 |
0 |
22 |
1 |
1 |
1 |
125 |
| Conceptual Revolutions in Twentieth-Century Art |
0 |
0 |
0 |
84 |
0 |
3 |
4 |
253 |
| Creative Careers: The Life Cycles of Nobel Laureates in Economics |
0 |
0 |
0 |
158 |
0 |
2 |
5 |
536 |
| Do the Young British Artists Rule (or: Has London Stolen the Idea of Postmodern Art from New York?): Evidence from the Auction Market |
0 |
0 |
0 |
57 |
0 |
1 |
1 |
244 |
| Economic and Geographic Mobility on the Farming Frontier: Evidence from Appanoose County, Iowa 1850-1870 |
0 |
0 |
0 |
29 |
0 |
0 |
2 |
807 |
| Filming Images or Filming Reality: The Life Cycles of Movie Directors from D.W. Griffith to Federico Fellini |
0 |
0 |
0 |
82 |
1 |
1 |
2 |
473 |
| From "White Christmas" to Sgt. Pepper: The Conceptual Revolution in Popular Music |
0 |
0 |
0 |
78 |
0 |
1 |
4 |
270 |
| From the New Wave to the New Hollywood: The Life Cycles of Important Movie Directors from Godard and Truffaut to Spielberg and Eastwood |
0 |
0 |
0 |
78 |
0 |
1 |
3 |
283 |
| Innovators: Architects |
0 |
0 |
0 |
67 |
0 |
2 |
2 |
159 |
| Innovators: Filmmakers |
0 |
0 |
1 |
30 |
0 |
0 |
1 |
88 |
| Innovators: Songwriters |
0 |
0 |
0 |
85 |
0 |
0 |
2 |
125 |
| Language in Visual Art: The Twentieth Century |
0 |
0 |
1 |
71 |
0 |
0 |
3 |
313 |
| Late Bloomers in the Arts and Sciences: Answers and Questions |
0 |
0 |
0 |
72 |
0 |
0 |
1 |
203 |
| Literacy and Age in Preindustrial England: Quantitative Evidence and Implications |
0 |
0 |
0 |
33 |
0 |
0 |
0 |
192 |
| Literary Life Cycles: The Careers of Modern American Poets |
0 |
0 |
0 |
64 |
0 |
0 |
1 |
704 |
| Log-Linear Analysis of Contingency Tables: An Introduction for Historians with an Application to Thernstrom on the 'Floating Proletariat.' |
0 |
0 |
0 |
63 |
0 |
0 |
0 |
338 |
| Masterpieces and Markets: Why the Most Famous Modern Paintings Are Not by American Artists |
0 |
0 |
0 |
64 |
0 |
0 |
2 |
2,482 |
| Measuring Masters and Masterpieces: French Rankings of French Painters and Paintings from Realism to Surrealism |
0 |
0 |
0 |
46 |
0 |
1 |
2 |
1,003 |
| On the Age at Leaving Home in the Early Nineteenth Century: Evidence from the Lives of New England Manufacturers |
0 |
0 |
0 |
26 |
0 |
0 |
0 |
357 |
| One Hit Wonders: Why Some of the Most Important Works of Modern Art are Not by Important Artists |
0 |
0 |
0 |
48 |
0 |
1 |
2 |
408 |
| Painting by Proxy: The Conceptual Artist as Manufacturer |
0 |
0 |
0 |
43 |
0 |
1 |
1 |
280 |
| Portraits of the Artist: Personal Visual Art in the Twentieth Century |
0 |
0 |
0 |
43 |
0 |
1 |
1 |
198 |
| Precedence and Wealth: Evidence from Nineteenth Century Utah |
0 |
0 |
0 |
15 |
0 |
0 |
1 |
215 |
| Quantifying Artistic Success: Ranking French Painters - and Paintings - from Impressionism to Cubism |
0 |
0 |
0 |
80 |
0 |
0 |
1 |
1,321 |
| Revising the Canon: How Andy Warhol Became the Most Important American Modern Artist |
0 |
1 |
2 |
59 |
0 |
2 |
6 |
53 |
| The Back Story of Twentieth-Century Art |
0 |
0 |
0 |
40 |
0 |
1 |
3 |
123 |
| The Careers of Modern Artists: Evidence from Auctions of Contemporary Paintings |
0 |
0 |
0 |
104 |
0 |
1 |
3 |
1,075 |
| The Globalization of Advanced Art in the Twentieth Century |
0 |
0 |
1 |
82 |
0 |
1 |
2 |
262 |
| The Greatest Architects of the Twentieth Century: Goals, Methods, and Life Cycles |
0 |
0 |
1 |
75 |
0 |
1 |
5 |
267 |
| The Greatest Artists of the Twentieth Century |
0 |
0 |
0 |
87 |
0 |
1 |
4 |
600 |
| The Greatest Photographers of the Twentieth Century |
0 |
0 |
0 |
92 |
2 |
2 |
4 |
408 |
| The Life Cycles of Modern Artists |
0 |
0 |
0 |
73 |
0 |
0 |
0 |
379 |
| The Life Cycles of Modern Artists: Theory, Measurement, and Implications |
0 |
0 |
0 |
76 |
0 |
0 |
4 |
422 |
| The Lives of the Painters of Modern Life: The Careers of Artists in France from Impressionism to Cubism |
0 |
0 |
1 |
71 |
0 |
0 |
2 |
1,396 |
| The Market Evaluation of Human Capital: The Case of Indentured Servitude |
0 |
0 |
0 |
58 |
0 |
0 |
1 |
242 |
| The Methods and Careers of Leading American Painters in the late Nineteenth Century |
0 |
0 |
0 |
21 |
1 |
1 |
1 |
185 |
| The Most Important Works of Art of the Twentieth Century |
0 |
0 |
0 |
110 |
1 |
2 |
2 |
713 |
| The New York School vs. the School of Paris: Who Really Made the Most Important Art After World War II? |
1 |
1 |
1 |
55 |
2 |
2 |
5 |
355 |
| The Reappearing Masterpiece: Ranking American Artists and Art Works of the Late Twentieth Century |
0 |
0 |
0 |
49 |
1 |
1 |
1 |
531 |
| The Rise and (Partial) Fall of Abstract Painting in the Twentieth Century |
0 |
0 |
0 |
67 |
0 |
0 |
3 |
362 |
| Toward Abstraction: Ranking European Painters of the Early Twentieth Century |
0 |
0 |
0 |
66 |
1 |
1 |
1 |
414 |
| Two Paths to Abstract Art: Kandinsky and Malevich |
0 |
0 |
0 |
89 |
0 |
0 |
0 |
510 |
| Understanding Creativity |
0 |
0 |
1 |
57 |
0 |
0 |
3 |
142 |
| Was Jackson Pollock the Greatest Modern American Painter? A Quantitative Investigation |
0 |
0 |
0 |
98 |
1 |
1 |
1 |
990 |
| White Servitude and the Growth of Black Slavery in Colonial America |
0 |
1 |
1 |
190 |
0 |
2 |
9 |
1,170 |
| Who Are the Greatest Living Artists? The View from the Auction Market |
0 |
0 |
0 |
124 |
0 |
0 |
0 |
658 |
| Who Were the Greatest Women Artists of the Twentieth Century? A Quantitative Investigation |
0 |
0 |
1 |
52 |
0 |
0 |
3 |
281 |
| Wisdom and Creativity in Old Age: Lessons from the Impressionists |
0 |
1 |
3 |
86 |
2 |
3 |
20 |
668 |
| You Cannot be Serious: The Conceptual Innovator as Trickster |
0 |
0 |
0 |
43 |
0 |
0 |
0 |
195 |
| Young Geniuses and Old Masters: The Life Cycles of Great Artists from Masaccio to Jasper Johns |
0 |
1 |
1 |
201 |
0 |
2 |
4 |
1,101 |
| Total Working Papers |
1 |
5 |
20 |
4,297 |
17 |
50 |
172 |
28,740 |
| Journal Article |
File Downloads |
Abstract Views |
| Last month |
3 months |
12 months |
Total |
Last month |
3 months |
12 months |
Total |
| A Portrait of the Artists as Young or Old Innovators |
0 |
0 |
0 |
42 |
0 |
1 |
1 |
188 |
| Age and the Quality of Work: The Case of Modern American Painters |
0 |
0 |
2 |
138 |
0 |
3 |
13 |
1,099 |
| Anticipating Artistic Success |
0 |
0 |
0 |
170 |
0 |
0 |
1 |
401 |
| Artists and Artisans in Delft: A Socio-Economic Study of the Seventeenth Century. By John Michael Montias. Princeton: Princeton University Press, 1982. pp. xvi, 424. $36.50 cloth, $16.50 paper |
0 |
0 |
1 |
37 |
0 |
1 |
2 |
126 |
| Cattle Trailing in the Nineteenth Century: A Reply |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
13 |
| Chinese immigration and contract labor in the late nineteenth century |
0 |
0 |
4 |
162 |
0 |
2 |
20 |
505 |
| Chinese immigration: Reply to charles McClain |
0 |
0 |
0 |
19 |
0 |
0 |
0 |
126 |
| Correction to: Creative Careers: The Life Cycles of Nobel Laureates in Economics |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
9 |
| Creating Modern Art: The Changing Careers of Painters in France from Impressionism to Cubism |
0 |
0 |
0 |
205 |
0 |
0 |
2 |
1,146 |
| Creative Careers: The Life Cycles of Nobel Laureates in Economics |
0 |
0 |
1 |
12 |
3 |
4 |
13 |
76 |
| Do the Young British Artists Rule? |
0 |
0 |
2 |
144 |
0 |
0 |
10 |
390 |
| Economic History |
0 |
0 |
1 |
57 |
0 |
1 |
3 |
177 |
| Economic Opportunity on the urban frontier: nativity, work, and wealth in early chicago |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
28 |
| Economic and Geographic Mobility on the Farming Frontier: Evidence from Appanoose County, Iowa, 1850–1870 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
31 |
| Educational Opportunity on the Urban Frontier: Nativity, Wealth, and School Attendance in Early Chicago |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
88 |
| Experimental and Conceptual Innovators in the Sciences: The Cases of Darwin and Einstein |
0 |
0 |
1 |
34 |
0 |
0 |
3 |
149 |
| Immigration and the colonial labor system an analysis of the length of indenture |
0 |
0 |
1 |
240 |
0 |
1 |
2 |
926 |
| Latin America - Slave Populations of the British Caribbean, 1807–1834. By B. W. Higman. Baltimore: The Johns Hopkins University Press, 1984. Pp. xxxiii, 781. $65.00 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
35 |
| Literacy and Age in Preindustrial England: Quantitative Evidence and Implications |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
107 |
| Measuring Charleston's Overseas Commerce, 1717–1767: Statistics from the Port's Naval List. By Converse D. Clowse. Washington, D.C.: University Press of America, 1981. Pp. x, 157. $20.50 cloth, $9.75 paper |
0 |
0 |
0 |
9 |
0 |
0 |
1 |
50 |
| Modern Europe - Approaches to the History of the Western Family, 1500–1914. By Michael Anderson. Studies in Economic and Social History. London: The Macmillan Press Ltd., 1980. Distributed in United States by Humanities Press, Inc., Atlantic Highlands, New Jersey. Pp. 96. $5.50 paper |
0 |
0 |
0 |
10 |
0 |
0 |
0 |
58 |
| Nativity and Wealth in Mid-Nineteenth-Century Cities |
0 |
0 |
3 |
105 |
0 |
0 |
8 |
438 |
| Old Masters and Young Geniuses: The Two Life Cycles of Human Creativity |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
7 |
| Old masters and young geniuses: The two life cycles of human creativity |
0 |
2 |
2 |
101 |
1 |
5 |
7 |
693 |
| Pau Hana: Plantation Life and Labor in Hawaii. By Ronald Takaki. Honolulu: University of Hawaii Press, 1983. Pp. xiv, 213. $15.00 |
0 |
0 |
0 |
24 |
0 |
0 |
1 |
113 |
| Population Turnover in the English West Indies in the Late Seventeenth Century: A Comparative Perspective |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
18 |
| Pricing Genius: The Market Evaluation of Innovation |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
| Pricing genius: The market evaluation of innovation |
0 |
0 |
0 |
27 |
0 |
0 |
3 |
88 |
| Pricing revolution: From abstract expressionism to pop art |
0 |
0 |
1 |
12 |
0 |
0 |
1 |
59 |
| Selling Art in Georgian London: The Rise of Arthur Pond. By Louise Lippincott. New Haven: Yale University Press, 1983. Pp. xii, 212. $27.50 |
0 |
0 |
0 |
12 |
0 |
0 |
1 |
57 |
| Servants in Husbandry in Early Modern England. By Ann Kussmaul. New York: Cambridge University Press, 1981. Pp. xii, 233. $29.95 |
0 |
0 |
0 |
14 |
0 |
0 |
0 |
96 |
| The Atlantic Slave Trade and the Barbados Market, 1673–1723 |
0 |
0 |
1 |
21 |
3 |
3 |
7 |
114 |
| The Careers of Modern Artists |
0 |
0 |
0 |
41 |
0 |
0 |
0 |
179 |
| The Disappearing Masterpiece |
0 |
0 |
0 |
12 |
0 |
0 |
1 |
87 |
| The End of the Chisholm Trail |
0 |
0 |
0 |
20 |
0 |
0 |
1 |
52 |
| The Life Cycles of Modern Artists |
0 |
0 |
0 |
54 |
1 |
2 |
3 |
325 |
| The Market Evaluation of Human Capital: The Case of Indentured Servitude |
0 |
0 |
0 |
186 |
0 |
2 |
5 |
617 |
| The Rise and Fall of Indentured Servitude in the Americas: An Economic Analysis |
1 |
2 |
9 |
253 |
4 |
5 |
37 |
804 |
| The Slave Trade to the English West Indies, 1673-1724 |
0 |
0 |
0 |
6 |
0 |
0 |
1 |
22 |
| The economics of art history |
0 |
0 |
6 |
13 |
2 |
5 |
17 |
36 |
| This Bittersweet Soil: The Chinese in California Agriculture, 1860–1910. By Sucheng Chan. Berkeley: University of California Press, 1987. Pp. xxv, 503. $40.00 |
0 |
0 |
0 |
14 |
0 |
0 |
3 |
63 |
| Tobacco Colony: Life in Early Maryland, 1650–1720. By Gloria L. Main. (Princeton: Princeton University Press, 1982. xv + 326 pp. $30.00.) |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
| Two old masters and a young genius: the creativity of Francis Bacon, Lucian Freud, and Jean-Michel Basquiat |
0 |
0 |
1 |
5 |
0 |
1 |
8 |
20 |
| Understanding Creativity |
0 |
0 |
0 |
51 |
0 |
1 |
3 |
207 |
| Understanding Creativity |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
9 |
| White Servitude and the Growth of Black Slavery in Colonial America |
1 |
2 |
3 |
64 |
2 |
4 |
16 |
332 |
| Total Journal Articles |
2 |
6 |
39 |
2,332 |
16 |
43 |
199 |
10,175 |
LogEc is hosted by the
Örebro University School of Business.