| Journal Article |
File Downloads |
Abstract Views |
| Last month |
3 months |
12 months |
Total |
Last month |
3 months |
12 months |
Total |
| A New Institutional Approach to Innovation Policy |
0 |
1 |
1 |
14 |
0 |
3 |
3 |
41 |
| A Nobel Prize for Governance and Institutions: Oliver Williamson and Elinor Ostrom |
0 |
0 |
0 |
36 |
0 |
0 |
4 |
138 |
| An entrepreneurial model of economic and environmental co-evolution |
0 |
0 |
2 |
32 |
0 |
1 |
5 |
132 |
| Awareness in innovators: from ‘outside the box’ to ‘inside the bubble’ |
0 |
0 |
0 |
112 |
0 |
0 |
0 |
359 |
| Consumer Co-creation and Situated Creativity |
0 |
0 |
1 |
149 |
0 |
0 |
2 |
445 |
| Darwinian Politics: The Evolutionary Origins of Freedom; Paul Rubin, Rutgers University Press, New Brunswick, NJ. 2002, ISBN 0813530954 (hardcover, $60.00, 50.50 Pounds Sterling) 0813530962 (paperback, $25.00, 20.50 Pounds Sterling) |
0 |
0 |
0 |
55 |
0 |
0 |
0 |
268 |
| Decision-rule cascades and the dynamics of speculative bubbles |
0 |
0 |
1 |
83 |
0 |
0 |
3 |
189 |
| Economics of innovation in Australian agricultural economics and policy |
0 |
0 |
3 |
31 |
0 |
0 |
5 |
112 |
| Evolutionary realism: a new ontology for economics |
0 |
0 |
0 |
245 |
0 |
0 |
1 |
715 |
| Exchange and evolution |
0 |
0 |
0 |
35 |
0 |
1 |
1 |
171 |
| Four models of the creative industries |
0 |
0 |
2 |
118 |
0 |
1 |
9 |
417 |
| How Creative are the Super-Rich? |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
10 |
| How the Social Economy Produces Innovation |
0 |
0 |
0 |
7 |
0 |
0 |
1 |
18 |
| Innovation policy in a global economy |
0 |
0 |
2 |
10 |
0 |
0 |
4 |
28 |
| Institutions hold consumption on a leash: an evolutionary economic approach to the future of consumption |
0 |
0 |
0 |
10 |
0 |
1 |
4 |
45 |
| Knowledge and markets |
1 |
2 |
3 |
232 |
1 |
2 |
4 |
549 |
| Latent demand and the browsing shopper |
0 |
0 |
1 |
31 |
1 |
1 |
3 |
176 |
| Meso comes to markets: Comment on `Markets come to bits' |
0 |
0 |
0 |
48 |
0 |
0 |
1 |
129 |
| Michael Hutter: The rise of the joyful economy: artistic invention and economic growth from Brunelleschi to Murakami |
0 |
0 |
0 |
17 |
0 |
1 |
3 |
113 |
| Micro-meso-macro |
0 |
2 |
7 |
595 |
4 |
19 |
55 |
5,993 |
| OPEN OCCUPATIONS – WHY WORK SHOULD BE FREE |
0 |
0 |
0 |
33 |
0 |
0 |
1 |
80 |
| Social network markets: a new definition of the creative industries |
0 |
0 |
2 |
222 |
0 |
2 |
11 |
631 |
| Telling the wood from the trees in the forest of synthesis |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
28 |
| The Management of Creative Vision and the Economics of Creative Cycles |
0 |
0 |
0 |
8 |
0 |
0 |
0 |
28 |
| The Social Costs of Innovation Policy |
0 |
0 |
1 |
11 |
0 |
0 |
1 |
36 |
| The creative instability hypothesis |
0 |
0 |
1 |
28 |
0 |
0 |
2 |
128 |
| The market for preferences |
0 |
0 |
1 |
92 |
1 |
1 |
4 |
314 |
| Upward and downward complementarity: the meso core of evolutionary growth theory |
0 |
0 |
0 |
9 |
0 |
1 |
6 |
93 |
| Why creative industries matter to economic evolution |
0 |
0 |
1 |
130 |
0 |
0 |
3 |
344 |
| Why evolutionary realism underpins evolutionary economic analysis and theory: A reply to Runde's critique |
0 |
0 |
0 |
94 |
1 |
1 |
3 |
189 |
| Total Journal Articles |
1 |
5 |
29 |
2,491 |
9 |
36 |
141 |
11,919 |
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