| Journal Article |
File Downloads |
Abstract Views |
| Last month |
3 months |
12 months |
Total |
Last month |
3 months |
12 months |
Total |
| A New Institutional Approach to Innovation Policy |
0 |
0 |
0 |
14 |
0 |
2 |
5 |
46 |
| A Nobel Prize for Governance and Institutions: Oliver Williamson and Elinor Ostrom |
0 |
1 |
1 |
37 |
3 |
13 |
22 |
161 |
| An entrepreneurial model of economic and environmental co-evolution |
0 |
0 |
0 |
32 |
3 |
7 |
14 |
147 |
| Awareness in innovators: from ‘outside the box’ to ‘inside the bubble’ |
0 |
0 |
0 |
112 |
1 |
5 |
9 |
368 |
| Consumer Co-creation and Situated Creativity |
0 |
0 |
0 |
149 |
2 |
3 |
6 |
451 |
| Darwinian Politics: The Evolutionary Origins of Freedom; Paul Rubin, Rutgers University Press, New Brunswick, NJ. 2002, ISBN 0813530954 (hardcover, $60.00, 50.50 Pounds Sterling) 0813530962 (paperback, $25.00, 20.50 Pounds Sterling) |
0 |
0 |
0 |
55 |
6 |
6 |
9 |
277 |
| Decision-rule cascades and the dynamics of speculative bubbles |
0 |
0 |
0 |
83 |
3 |
3 |
11 |
200 |
| Economics of innovation in Australian agricultural economics and policy |
0 |
0 |
0 |
31 |
2 |
3 |
9 |
122 |
| Evolutionary realism: a new ontology for economics |
0 |
1 |
2 |
247 |
3 |
4 |
10 |
725 |
| Exchange and evolution |
0 |
0 |
0 |
35 |
0 |
2 |
8 |
180 |
| Four models of the creative industries |
1 |
1 |
1 |
119 |
3 |
8 |
18 |
440 |
| How Creative are the Super-Rich? |
0 |
0 |
0 |
1 |
2 |
3 |
7 |
17 |
| How the Social Economy Produces Innovation |
0 |
0 |
0 |
7 |
2 |
3 |
6 |
26 |
| Innovation policy in a global economy |
1 |
1 |
1 |
11 |
3 |
4 |
9 |
37 |
| Institutions hold consumption on a leash: an evolutionary economic approach to the future of consumption |
0 |
1 |
1 |
11 |
1 |
5 |
9 |
54 |
| Knowledge and markets |
0 |
0 |
0 |
232 |
0 |
2 |
8 |
557 |
| Latent demand and the browsing shopper |
0 |
0 |
0 |
31 |
5 |
5 |
8 |
185 |
| Meso comes to markets: Comment on `Markets come to bits' |
0 |
0 |
0 |
48 |
3 |
3 |
9 |
138 |
| Michael Hutter: The rise of the joyful economy: artistic invention and economic growth from Brunelleschi to Murakami |
0 |
0 |
1 |
18 |
0 |
2 |
3 |
116 |
| Micro-meso-macro |
2 |
3 |
8 |
603 |
10 |
18 |
41 |
6,038 |
| OPEN OCCUPATIONS – WHY WORK SHOULD BE FREE |
0 |
0 |
1 |
34 |
2 |
3 |
9 |
90 |
| Social network markets: a new definition of the creative industries |
0 |
0 |
0 |
222 |
4 |
8 |
18 |
649 |
| Telling the wood from the trees in the forest of synthesis |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
29 |
| The Management of Creative Vision and the Economics of Creative Cycles |
0 |
0 |
0 |
8 |
1 |
2 |
4 |
33 |
| The Social Costs of Innovation Policy |
0 |
0 |
0 |
11 |
0 |
0 |
5 |
41 |
| The creative instability hypothesis |
0 |
2 |
3 |
31 |
2 |
5 |
11 |
139 |
| The market for preferences |
0 |
0 |
0 |
92 |
1 |
3 |
9 |
323 |
| Upward and downward complementarity: the meso core of evolutionary growth theory |
0 |
0 |
0 |
9 |
0 |
2 |
8 |
101 |
| Why creative industries matter to economic evolution |
1 |
1 |
3 |
133 |
6 |
7 |
16 |
361 |
| Why evolutionary realism underpins evolutionary economic analysis and theory: A reply to Runde's critique |
0 |
0 |
0 |
94 |
0 |
1 |
15 |
204 |
| Total Journal Articles |
5 |
11 |
22 |
2,513 |
68 |
132 |
317 |
12,255 |