| Journal Article |
File Downloads |
Abstract Views |
| Last month |
3 months |
12 months |
Total |
Last month |
3 months |
12 months |
Total |
| A QUARTERLY MODEL OF THE AUSTRALIAN AGRICULTURAL SECTOR |
0 |
0 |
0 |
21 |
0 |
4 |
8 |
219 |
| A QUARTERLY MODEL OF THE AUSTRALIAN AGRICULTURAL SECTOR |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
18 |
| A Quarterly Econometric Model of the Australian Beef Industry |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
8 |
| Agriculture and its Terms of Trade: A Review Article |
0 |
1 |
3 |
25 |
0 |
3 |
9 |
62 |
| Agriculture in the Economy: the evolution of economists' perceptions over three centuries |
0 |
0 |
0 |
60 |
0 |
2 |
15 |
197 |
| An Artistic Production Function: Theory and an Application to Australian Visual Artists |
0 |
0 |
0 |
128 |
1 |
2 |
9 |
393 |
| Artistic labour markets: Why are they of interest to labour economists? |
0 |
0 |
3 |
127 |
0 |
3 |
8 |
224 |
| Benefit-Cost Analysis of Foreign Student Flows from Developing Countries: The Case of Postgraduate Education |
0 |
0 |
0 |
136 |
0 |
3 |
6 |
281 |
| Book Reviews |
0 |
0 |
0 |
1 |
0 |
1 |
5 |
14 |
| Book Reviews |
0 |
0 |
0 |
2 |
0 |
4 |
13 |
34 |
| Book Reviews |
0 |
0 |
0 |
3 |
0 |
3 |
6 |
34 |
| COMMENT |
0 |
0 |
0 |
0 |
0 |
2 |
8 |
25 |
| Capitale culturale e identità urbana |
0 |
0 |
2 |
34 |
0 |
4 |
9 |
79 |
| Change and Challenge: Two Decades in the Economics of Art and Culture |
0 |
0 |
0 |
48 |
1 |
3 |
11 |
99 |
| Conceptual Revolutions in Twentieth-Century Art. By David W. Galenson. New York: Cambridge University Press, 2009. Pp. xvi, 443. $90.00, cloth; $26.99, paper |
0 |
0 |
1 |
40 |
0 |
1 |
8 |
99 |
| Cost Functions for Australian Universities |
0 |
0 |
0 |
0 |
0 |
3 |
6 |
268 |
| Cultural Capital |
2 |
5 |
21 |
603 |
12 |
26 |
119 |
1,829 |
| Cultural policy and investment in China: Do they realize the government’s cultural objectives? |
1 |
1 |
3 |
18 |
2 |
6 |
21 |
58 |
| Culture in sustainable development: insights for the implementation of art. 13 |
0 |
0 |
3 |
39 |
1 |
8 |
20 |
118 |
| D. Paul Schafer: Revolution or Renaissance: Making the Transition from an Economic Age to a Cultural Age |
0 |
0 |
0 |
51 |
0 |
2 |
5 |
217 |
| Determining the Value of Cultural Goods: How Much (or How Little) Does Contingent Valuation Tell Us? |
3 |
5 |
11 |
326 |
5 |
14 |
43 |
1,643 |
| Development Strategies for Pacific Island Economies: Is There a Role for the Cultural Industries? |
0 |
0 |
0 |
5 |
0 |
2 |
8 |
35 |
| Digital complements or substitutes? A quasi-field experiment from the Royal National Theatre |
1 |
7 |
10 |
145 |
2 |
16 |
40 |
473 |
| Dynamic Programming, Activity Analysis and the Theory of the Firm |
0 |
0 |
0 |
18 |
0 |
4 |
4 |
79 |
| Economic Aspects of the Foreign Student Question |
0 |
0 |
0 |
0 |
0 |
4 |
11 |
13 |
| Economic analysis of artists' behaviour: some current issues |
0 |
0 |
0 |
100 |
0 |
1 |
8 |
204 |
| Economic circumstances of the performing artist: Baumol and Bowen thirty years on |
1 |
1 |
1 |
199 |
2 |
5 |
11 |
430 |
| Economic, political, and social determinants of peace |
0 |
0 |
0 |
98 |
0 |
5 |
13 |
318 |
| Economics and the Arts: A Review of Seven Years |
0 |
0 |
0 |
7 |
1 |
1 |
14 |
31 |
| Fitting Production Functions to Experimental Data |
0 |
0 |
0 |
21 |
0 |
3 |
4 |
72 |
| GAME THEORY AND A TIME-OF-MARKET DECISION |
0 |
0 |
0 |
28 |
1 |
5 |
11 |
153 |
| GAME THEORY AND A TIME‐OF‐MARKET DECISION |
0 |
0 |
0 |
1 |
0 |
3 |
12 |
52 |
| Hans Abbing, Why Are Artists Poor? The Exceptional Economy of the Arts |
0 |
0 |
0 |
384 |
1 |
1 |
8 |
988 |
| Individual preferences and the demand for military expenditure |
0 |
0 |
1 |
20 |
0 |
1 |
7 |
65 |
| Non‐Pecuniary Rewards, Multiple Job‐Holding and the Labour Supply of Creative Workers: The Case of Book Authors* |
0 |
1 |
2 |
9 |
1 |
11 |
36 |
57 |
| PUBLIC POLICY AND THE PERFORMING ARTS |
0 |
0 |
0 |
7 |
0 |
0 |
1 |
34 |
| Plus ça change. Another decade in cultural economics |
0 |
0 |
0 |
1 |
0 |
1 |
5 |
10 |
| Preference formation in demand for live theatre |
0 |
0 |
2 |
6 |
1 |
1 |
16 |
27 |
| Psychic Payoffs, Overpriced Assets, and Underpaid Superstars |
0 |
0 |
0 |
28 |
1 |
4 |
8 |
107 |
| Public preferences for heritage conservation strategies: a choice modelling approach |
0 |
0 |
0 |
26 |
1 |
3 |
17 |
104 |
| STATIONARY-STATE SOLUTIONS IN MULTI-PERIOD LINEAR PROGRAMMING PROBLEMS |
0 |
0 |
0 |
104 |
0 |
4 |
9 |
470 |
| STATIONARY‐STATE SOLUTIONS IN MULTI‐PERIOD LINEAR PROGRAMMING PROBLEMS |
0 |
0 |
0 |
3 |
0 |
2 |
3 |
43 |
| Some Notes on "Dynamic" Linear Programming |
0 |
0 |
3 |
177 |
1 |
6 |
19 |
839 |
| Some Notes on 'Dynamic' Linear Programming: A Reply |
0 |
0 |
0 |
6 |
0 |
2 |
6 |
41 |
| Some Notes on 'Dynamic' Linear Programming: Further Comment; A Further Reply |
0 |
0 |
0 |
6 |
0 |
1 |
6 |
51 |
| Strategic bias and demand for public goods: Theory and an application to the arts |
0 |
0 |
0 |
189 |
0 |
4 |
9 |
366 |
| THE ELASTICITY OF DEMAND FOR EXPORTS: A REPLY |
0 |
0 |
0 |
1 |
2 |
3 |
6 |
32 |
| THE ELASTICITY OF DEMAND FOR EXPORTS: A REPLY |
0 |
0 |
0 |
9 |
0 |
2 |
6 |
55 |
| The Measurement of Willingness-to-Pay for Mixed Goods |
0 |
0 |
0 |
0 |
0 |
2 |
22 |
258 |
| The Political Economy of Art: Ruskin and Contemporary Cultural Economics |
0 |
1 |
2 |
79 |
1 |
10 |
20 |
267 |
| The Production and Consumption of the Arts: A View of Cultural Economics |
0 |
6 |
16 |
1,448 |
3 |
17 |
56 |
2,976 |
| The role of culture in sustainable development: past, present and future |
0 |
0 |
8 |
14 |
0 |
2 |
31 |
42 |
| The role of culture in sustainable urban development: some economic issues |
0 |
0 |
2 |
32 |
0 |
2 |
8 |
73 |
| Theoretical Aspects of a Dynamic Programming Model for Studying the Allocation of Land to Pasture Improvement |
0 |
0 |
0 |
15 |
0 |
4 |
9 |
72 |
| Why Should Economists be Interested in Cultural Policy? |
0 |
0 |
0 |
90 |
1 |
3 |
7 |
172 |
| Total Journal Articles |
8 |
28 |
94 |
4,940 |
41 |
230 |
786 |
14,928 |
LogEc is hosted by the
Örebro University School of Business.